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1500W tunable color high intensity point source lamp.
Cast any hue with this 1500W tunable color point source fixture that matches the brightness of industry-standard 1800W HMIs.

It is the all-in-one solution for capturing a wide range of shots, from extreme close-ups to cinematic top and high-angle shots, at the ultimate level of user experience. Experience macro cinematography like never before.

The OSEE 21.5" Mega 22S Production Monitor with V-Mount Plate Kit is a bright, 1500 cd/m² monitor featuring an IPS panel with 10-bit color, 3D LUT application, and HLG/PQ HDR for crisp, clear imaging for video resolutions up to DCI 4K30.

The Electro Storm XT26 Bi-Color LED Monolight from Aputure is a bi-color point-source fixture offering 2600W of dynamic white CCT from 2700 to 6500K and tint control.

It is the all-in-one solution for capturing a wide range of shots, from extreme close-ups to cinematic top and high-angle shots, at the ultimate level of user experience. Experience macro cinematography like never before.

The new 12mm lens is currently the widest t/2.9 lens that can cover sensor up to both full frame & vista vision size (wider than full frame), making it one of the ideal wide angle option for both professional cinema cameras and mirrorless cameras.

DZOFilm's Catta Ace was designed to explore endless possibilities when shooting. With the increase demand of the full frame format in cinema today, the Catta Zoom aims to meet the current market's demand by offering compatibility with Vista Vision as well

The Tokina Cinema Vista Prime Lens with a PL mount has the same look and feel as other lenses in the Cinema Prime lineup, for a consistent look when cutting between lenses.

Designed for the digital cinema market, the Leitz Summicron-C T2.0 PL Mount Lens features a stainless steel PL mount and provides a smaller, lighter, albeit slower option to the renowned Summilux-C series of lenses.

The growing demand for vintage Cooke Speed Panchro lenses prompted Cooke to introduce a modern re-design of these heritage lenses for Super35 cameras, but with all the benefits of contemporary glass and technology.

Element Filters Opaline diffusion are a great set to have on any production that needs capability with budget friendliness.

The ARRI ALEXA Classic camera delivers exceptional image quality, thanks to its advanced sensor and image processing technology. Your footage will have the rich detail and colour that only ARRI cameras can provide.

The Nova P600c is the next generation of the Nova family of LED panels, building on the foundation of high color fidelity, 2000K~10000K CCT, and soft light quality while also featuring best-in-class output, and a new suite of professional-level controls.

Element Full Spectrum IR ND Filters a great set to have on any production that needs capability with budget friendliness.

Create cinema-quality productions with the Canon EOS C300 Mark III Digital Cinema Camera, which features a Super 35mm Dual Gain Output sensor with up to 16 stops of high dynamic range capability for superior HDR recording and low noise.

The LS 300x Bi-Color LED Monolight from Aputure is the first Aputure light to go beyond traditional bi-color lighting by utilizing the expanded vari-white CCT range of 2700-6500K, providing warmer tungsten tones and cooler than daylight whites.

The Nucleus-M is a revolutionary and highly customizable 3-channel wireless lens control system. It allows you to have full control of focus, iris, and zoom on either the FIZ hand unit or between the two wireless hand grips.

The SmallHD 702 Touch 7" is perfect for on-Camera Monitor or focus pulling. It features an IPS LCD panel with a resolution of 1920x1200. The IPS touchscreen provides a wide off-axis viewing experience without a significant shift in color or contrast.

The Solidcom C1 Pro, Hollyland's first-of-its-kind full-duplex wireless intercom headset system featuring dual-mic Environmental Noise Cancellation (ENC) technology, is incredibly lightweight and easy to use.

The ARRI ALEXA 35 camera elevates digital cinematography to unprecedented heights. ARRI's first new sensor in 12 years builds on the evolution of the ALEXA family delivering 2.5 stops more dynamic range, better low light performance, and richer colors.

Compact, fast, and full-frame the black V-RAPTOR 8K VV is an impressive introduction to RED DIGITAL CINEMA's new DSMC3 platform. Boasting a new sensor, the V-RAPTOR offers multi-format capture in 8K VV, 6K Super35 4K 3K Super16, and anamorphic options

Titan Tube is the ultimate LED tube for filmmakers, studios, event technicians and any creative person. The tube offers unlimited range of usage; indoor or outdoor, AC-powered or on battery, on the go with the AsteraApp, with wired or wireless DMX.

RED further advances its KOMODO line with the release of the black KOMODO-X 6K, a digital cinema camera featuring faster frame rates, a redesigned S35 sensor, and an updated form including advanced video and audio interfaces.

The Light Storm 1200D Pro is the brightest fixture in the and Light Storm lineup. It utilizes a 1200W Daylight COB chipset to compete on the same level as HMI Lights, with a staggering 83,100+ lux output at 3 meters with the Hyper Reflector (Narrow).