The ALEXA 35 measures at 17 stops of dynamic range (exposure latitude), far more than any other digital cinema camera. Having 1.5 stops more in the highlights and one stop more in the shadows than previous ALEXA cameras, while retaining the naturalistic film-like highlight roll-off, will be game-changing for filmmakers. Sophisticated stray-light suppression in the camera and lens mounts ensures that the full contrast range and character of each lens are captured by the sensor. Together, the increased dynamic range and stray light control make it easier to handle any lighting conditions on set, increase flexibility in post, and provide the best source for HDR (High Dynamic Range) projects.
REVEAL Color Science is the collective name for a suite of new image processing steps used by ALEXA 35 internally and also available through leading third-party postproduction tools for ARRIRAW processing. It includes an improved debayering algorithm for cleaner compositing, a new color engine for more accurate color reproduction, a new wide gamut color space for faster grading, new LogC4 encoding to contain the increased dynamic range, and new LogC4 LUTs (Look Up Tables) for improved color fidelity.
With its Super 35 4:3 native 4K sensor, ALEXA 35 can be used with a vast global inventory of existing lenses—modern and vintage, anamorphic and spherical, Super 35 and large format. Filmmakers wanting to shoot with ARRI cameras while having to fulfill 4K mandates now have an immeasurably broader lens choice.
What comes with it:
- V-mount battery back
- ARRI Light Weight Set
- 3x Codex 2TB cards
- Codex card reader
- Dovetail
- Shape Handles
- Small HD Cine 7
- 24V
- B-Mount
- Cameras
- Apple ProRes 422 HQ
- MXF/Apple ProRes 4444 MXF
- MXF/Apple ProRes 4444 XQ
- MXF/ARRIRAW
- 17 Stops
- 4K @ 120p on 2TB Codex
- 4K @ 55p on 1TB Codex
- 0.6
- 1.2
- 1.8
- Clear
- UV / IR
- EI 160 - 6400
- 5.8" x 6" x 8"
- Codex
- 4.6K 4:3
- Super 35 format ARRI ALEV 4 CMOS sensor
- Camera Body 6.4lbs/2.9 kg
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